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The album itself was cobbled together in a mix of DIY ways: home recordings with Livvy’s roommate Joey Oaxaca (White Reaper, Mo Dotti), singles with Daniel McNeill (White Denim) and a “final wrapping-up” with engineer Jim Vollentine (Spoon, Skating Polly). The result is an album that’s as musically fun and explorative as it is catchy and sweet. 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If you like what you hear on You’ll Have To Lose Something, make sure to get your hands on draag me’s lord of the shithouse — we’ve got the burbling second album from Spirit front person Zack Schwartz stocked as well. - Ted Davis\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":49806441283815,"sku":"","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/unnamed.jpg?v=1718725055"},{"product_id":"ducks-ltd-harms-way-garden-fountain-vinyl","title":"Ducks LTD - Harm's Way (Garden Fountain Vinyl)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe cover art for each of Ducks Ltd.’s albums—which all feature a photo of a different stone municipal structure—does the music under the sleeve justice. The Toronto jangle pop duo has quickly mastered a sound that shrouds playful rebelliousness beneath a put together exterior. 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The release follows a run of singles since her 2022 record on Ghostly International, lauded by the likes of NPR and The Fader, contributions to friend's projects (Drugdealer, Paul Cherry), and tours with Faye Webster, Liz Phair, Devendra Banhart, and others.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50462979129575,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/katebollinger-bluemooncolorvinyl.jpg?v=1730399216"},{"product_id":"adeline-hotel-whodunnit-black-vinyl","title":"Adeline Hotel - Whodunnit (Black Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eDan Knishkowy has never written a song like “Whodunnit.” With his acoustic guitar dropped to a deep, open tuning, the Brooklyn artist noticed a fragile melody resonating from the strings, stretching out like a neverending highway. 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Ohio native and primary songwriter, Nathan Phillips, built upon ensemble jam sessions he hosted at a residency in Australia and collaged those recordings alongside co-producer Shahzad Ismaily to make Last Circle in a Slowdown. Reflective, hi-fi, and elemental, the folk-meets-freeform sonics evoke rich 90s acoustic rock and the British post pop songwriting of Mark Hollis and David Sylvian. 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With a solo career spanning 7 releases as well as her work in the highly influential art-punk trio Palberta, Nina's artistic voice has been a staple in the American underground for over a decade, her distinctive and consistent sound earning a cult following. Her latest effort Water Giants signifies a departure in both sound and artistic practice - her first solo release recorded outside of her home studio, with a myriad of first time collaborators, it's Nina's most lavish and expansive offering to date, honing in on the heartfelt songwriting at the core of her work. After completing her usual process of demoing the songs for Water Giants, Nina felt that she wanted to try something new, escaping the confines of her minimal studio setup and the limitations of working alone. At the recommendation of several friends, she began working with Lucas Knapp, a Philly based producer who has contributed work to many Dear Life releases (including Florry’s The Holey Bible, Hour's Ease the Work, and Joey Nebulous’s Joey Spumoni Creamy Dreamy Party All the Time ). Lucas and Nina's recording sensibilities aligned quite seamlessly, breathing new energy into the songs in what she describes as an \"effortless collaboration\". The result is some of her most pristine experimental pop offerings to date, centering Nina as a dynamic performer and lyricist without foregoing the surreal qualities of her previous work. The album features contributions from many of her peers in the Philly music community, including Jill Ryan (Great Time), Victoria Rose and Nino Soberon (@, Brittle Brian), Eli Kleinsmith (The Knee Jerk Reaction), and her husband Gabe Adels, whom she frequently collaborates with in the synth-pop duo Data. Even the cover art is a departure for Nina, who has previously crafted it herself or with longtime friend\/visual artist Izzy Kross, this time assembling a collage of photographs taken by Eve Alpert (Palm) fit for the album's newfound dimensionality. Lyrically, Water Giants stands as Nina's most personal work to date. Taking a cue from her previous release, I Miss My Dog, which was written as Nina was processing the imminent loss of her and Gabe's dog Billy, Nina approached the writing process with unbridled honesty and chose not to edit or overthink her words as she had in the past. The result is a number of candid, heartfelt reflections on love, illness, addiction, anxiety, and the beautiful absurdity of a trash pile on the street. Interspersed throughout the album are Nina's signature woozy instrumentals, which add some escapism to the grounded nature of the material. By putting faith in a newfound collaboration without straying from her natural instincts, Nina has crafted the most dynamic album in her discography, an exciting testament to her songwriting prowess and what can be accomplished by stepping out of your comfort zone as an artist.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50466267398375,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/ninaryster.jpg?v=1730479935"},{"product_id":"hella-the-devil-isnt-red-red-vinyl","title":"Hella - The Devil Isn't Red (Red Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eZACH HILL (DEATH GRIPS) AND SPENCER SEIM (THE ADVANTAGE) “‘The Devil Isn't Red’ systematically shakes down like it was the rocker's score to upper- level Tetris – no matter how swiftly the pieces descend, Hella manage to drop them in place.” – Pitchfork • 20 YEAR ANNIVERSARY PRESSING, REMASTERED FOR VINYL • LIMITED EDITION OF 1000 COPIES ON DEVIL RED VINYL • INCLUDES THE ORIGINAL 12x18 PROMO POSTER\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50466295349479,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/hella-redvinyl.jpg?v=1730480863"},{"product_id":"tanukichan-circles-black-vinyl","title":"Tanukichan - Circles (Black Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eTanukichan, the musical project of Oakland, CA’s Hannah van Loon, has been a prominent figure in modern shoegaze music since 2016, when she first collaborated with Chaz Bear of Toro y Moi. Together, they released an EP and two full-length albums under Bear's Company Records, culminating in 2023's GIZMO. With her new EP Circles, out September 20th, 2024, via Carpark Records, van Loon ventures into new territory by teaming up with a new producer for the first time – Franco Reid. The genesis of their partnership dates back to the GIZMO campaign, when Reid noticed van Loon wearing an Incubus shirt in a press photo on Instagram. Intrigued by whether or not van Loon was a genuine fan, he sent her a DM. Their shared musical interest sparked a dialogue that eventually led to the creation of the single \"NPC\" in 2023. Lead single “City Bus,” offers a reflection on van Loon's childhood bus rides in San Francisco, evoking the stop-and-go rhythm of commuter life through hard-hitting drums and heavy guitar feedback phasing in and out of the mix. Themes of self-reflection and societal belonging permeate the track, echoing van Loon's ongoing personal journey. While much of Circles delves into internal struggles, “It Gets Easier” takes on a more celebratory tone as van Loon realizes she’s developed a heightened sense of maturity when dealing with hardship. Introduced by Reid, nu-gaze sensation Wisp, contributes a verse in her similarly ethereal vocal style. There is a notable shift on Circles when you consider the first three Tanukichan releases were produced by a pioneer of the chillwave genre. With van Loon’s consistently dreamy songwriting and Reid at the helm, Tanukichan enters new sonic territory that feels larger, arena-ready, and more like a highspeed night drive than the hazy summer dream of its predecessors.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50466313634023,"sku":"","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/tanukichan-circlesvinyl.jpg?v=1730481296"},{"product_id":"the-smile-wall-of-eyes-black-vinyl","title":"The Smile - Wall Of Eyes (Black Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThe Smile’s new album Wall Of Eyes, is released on XL Recordings. 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Krieger’s previous album, \"I Keep My Feet on the Fragile Plane\", hewed more closely to the domestic spaces of city and mind. Rolling Stone regarded the album as “ten songs of heady philosophical meanderings packed with emotional dynamite,” and likened her “finely phrased lyrics” to those of “Joni Mitchell, Leonard Cohen, [and] David Berman.” Krieger’s existential meditations remain on \"Art of the Unseen Infinity Machine\", however her meandering melodies have taken on a stronger sense of direction. She narrates candidly and assertively; the full-band arrangements never overpower, onlyoffer a robust platform on which Krieger’s voice reaches new heights.The full band brings a heightened sense of drama to the album’s arrangements, which contrasts the quieter approach of Krieger’s previous LP. There are noisy interludes, jazz-inflected discursions, impactful stops and starts, and occasional spaces for Krieger to stretch out her impressive vocal range (most prominently at the dazzling climax of album stand out “Came”). In \"Art of the Unseen Infinity Machine\", Krieger invites us to a place where transfiguration is not only possible but actively happening. From this place, the beautiful and the banal and the terrible are all laid out before us. And Krieger asks us not to look away. 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Since 2013, the Boston trio of singer-guitarist Dimitri Giannopoulos, bassist John Margaris, and drummer James Doran have slowly stretched the fringes of indie rock across five full-length LPs. Their music unwinds with gutting emotional intensity thanks to Giannopoulos’ impressionistic lyrics and how the arrangements violently lurch from delicate to bludgeoning. Disaster Trick, the band's new album out August 16 via Run For Cover, is their most direct and uncompromising LP yet. Its 11 songs tackle self-destructiveness and healing with jolting lucidity.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50469622153447,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/horsejumper-halhalfvinyl.jpg?v=1730558281"},{"product_id":"nick-zanca-hindsight-black-vinyl","title":"Nick Zanca - Hindsight (Black Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eOn Hindsight, Nick Zanca's first album as a singer-songwriter, Zanca leads a crack band of musicians from all over New York's musical map. After nearly a decade making electronic music under the name Mister Lies, Zanca began focusing his energies as a producer, working with adventurous up-and-coming artists such as Wendy Eisenberg and Lucy Liyou and sculpting songs of his own. Hindsight moves boldly beyond the synthetic textures of his early career, blending AOR, jazz fusion, electroacoustic improv, and even musical theater into wholly organic music. He examines age-old quandaris from his own unique viewpoint: the dehumanizing effects of industry and capitalism, a childhood developmental diagnosis, a difficult romantic situation. It's unapologetically itself, honest - and relatable. It doesn't equivocate: Zanca's world is ours, too.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50469626314983,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/nickzanca-hindsight-blackvinyl.jpg?v=1730558730"},{"product_id":"fake-fruit-mucho-mistrust-orange-vinyl","title":"Fake Fruit - Mucho Mistrust (Orange Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFake Fruit’s visceral indie rock operates so firmly in the present that it’s transportive and unmooring. The Oakland trio’s songs careen with volatile energy and lead singer Ham D’Amato’s lyrics are enveloped with acerbic humor and resonant perceptiveness. Their new LP Mucho Mistrust encapsulates the anxieties of daily life, a bloodless music industry, and global capitalism as well as the clear-eyed skepticism needed to rebel against it. Following 2021’s self-titled debut LP, the band’s personal lives hit a turbulent and transformational period. “There were big life changes and I was close to boiling over,” says D’Amato, “I left a bad relationship, entered a more stable one, got diagnosed with alopecia, and I'm turning 30 soon.” “Mucho Mistrust is about toeing the line between opting out and choosing to participate while knowing what the catch is,” says D’Amato. “It's about rolling up your sleeves, dusting yourself off, and starting again.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50469956419815,"sku":"","price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/fakefruit-muchomistrut-orangevinyl.jpg?v=1730564949"},{"product_id":"beak-transparent-red-vinyl","title":"Beak - \u003e\u003e\u003e\u003e (Transparent Red Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eThis is the fourth Beak\u0026gt; studio album, imaginatively titled \u0026gt;\u0026gt;\u0026gt;\u0026gt;. At its core we always wanted it to be head music – listened to as an album, not as individual songs. This is why we are releasing this album with no singles or promo tracks. The recording and writing initially began in a house called Pen Y Bryn in Talsarnau, Wales in the fallout from the weirdness of the COVID days. Remote and with only ourselves and the view of Portmeirion in the distance, we got to work. With the opening track, \"Strawberry Line\" (our tribute to our dear furry friend Alfie Barrow, who appears on the albums cover) as the metronomic guide for the album, we then resumed recording, as before, at Invada studios in Bristol, whilst still touring around Europe and North\/South America. After playing hundreds of gigs and festivals over the years we felt that touring had started to influence our writing to the point we weren't sure who we were anymore. So we decided to go back to the origins of where we were at on our first album – with zero expectations and just playing together in a room. Hopefully we have achieved this.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50469961957607,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/beak-transparentred.jpg?v=1730565369"},{"product_id":"animal-collective-merriweather-post-pavillion-15-year-green-blue-vinyl","title":"Animal Collective - Merriweather Post Pavillion (15 Year Green \u0026 Blue Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eMerriweather Post Pavilion, Animal Collective's ninth studio album, sees the American art-rock collective in heartwarmingly baffling form, combining upbeat indietronica with mind-warping samples. For its 15th anniversary, the 2xLP has been pressed on color vinyl for the first time, Bluish and Translucent Green, and is housed in a reflective foil deluxe gatefold jacket.Merriweather Post Pavilion was universally acclaimed upon its release in 2009 and was named the #1 best album of the year by Pitchfork, Entertainment Weekly, Spin, and KEXP. “Every once in a while, musicians sweep away the existing musical landscape to create something new,” stated NPR at the time. “Animal Collective is such a group, and its new Merriweather Post Pavilion is such an album.” It has since been recognized as one of the most influential records of the 2000s. “When it comes to 2000s indie, Merriweather stands as the era’s alpha and omega,” Pitchfork has written, “a diamond-cut reflection of the era’s eccentricities, seemingly impossible to replicate in form or format.”\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50470009045223,"sku":"","price":36.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/animalcollective-merriweather-greenbluevinyl.jpg?v=1730567300"},{"product_id":"dougie-poole-the-rainbow-wheel-of-death-black-vinyl","title":"Dougie Poole - The Rainbow Wheel of Death (Black Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eDougie Poole's third album The Rainbow Wheel of Death is more realized than any of his other records to date. Recorded straight to tape Dougie approached this record as it came to him, naturally, with his vocals and the lyrics at the forefront. \"This record came together really quick. I hadn't written much for a couple years - I got a full time job at an underwear website during the pandemic. But then I cranked out a bunch of tunes really quickly in winter 2021 and recorded them shortly after with my neighbors. We went down to Katie (Von Schleicher)'s childhood home in the Baltimore suburbs with a bunch of gear and a crew of players and we tracked the bulk of it in a week. In the past I'd write songs obsessively, stitching songs together part by part at my computer. But I was working so much at my computer that I had to step away to feel like I could write. So I put most of these tunes together with just a guitar. Then, I sort of just showed up in Maryland with the songs and a guitar and the players just did their thing. I think that process is reflected in the sound and the content. A lot of the stories and imagery of the songs live in a computer, cause that's been my world for a bit. But the sound of the songs is more natural. You can hear Katie's bird, and her parent's living room, and our chit chat. It was nice to be with people. I don’t think I went on a computer that whole week we were in Pasadena.\" (quote from the artist). The Rainbow Wheel of Death welcomes long time lovers of Poole as well as opening the door for those who've never heard his music. An album full of instant classics, his songs are more relatable and timeless than ever. Approaching broader themes this time, life, death, the point of it all, with lyrics that are as clever as ever there is something for everyone on this record.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50481394581735,"sku":"","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/dougiepoole--rainbowwheelvinyl.jpg?v=1730824773"},{"product_id":"tara-clerkin-trio-on-the-turning-ground-black-vinyl","title":"Tara Clerkin Trio - On The Turning Ground (Black Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eTara Clerkin Trio return to World of Echo with On The Turning Ground, a 5-song collection of quixotic, emotional redolence; 26 minutes of probing, thoughtful composition that draws from no one specific source. Their inspirations might be centreless, but the trio still possess a very obvious anchor in the form of their hometown, Bristol: a city of multitudes, heterogenous and vibrant in such a way as to allow it to renew and remake time and again. Tara Clerkin Trio drink from that same well, duly reflecting a rich musical heritage built on fwd-facing electronic subcultures and experimental urges. The two instrumental pieces that bookend the EP display an increasing mastery of compositional space: 'Brigstow' and 'Once Around' both emanate an interstitial quality that's not so much after- as in-between-hours, miniature dub-folk symphonies held together by the kind of tacit understanding that remains the preserve of only the closest of family units. If those two tracks are shaped by a sense of shifting temporality, then the three vocal-led pieces that comprise the record's core feel like a gentle ossifying of aesthetic into their own unique form of avant-pop: undeniable re-directions of that late 90s impulse to bend pop sensibilities into off-centre terrain, to render the familiar new again.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50481794711783,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/taraclerkintrio-ontheturningground-blackvinyl.jpg?v=1730830464"},{"product_id":"broadcast-distant-call-black-vinyl","title":"Broadcast - Distant Call (Black Vinyl)","description":"\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eDistant Call is a collection of early demos of songs that would subsequently appear as finished productions on the albums Haha Sound, Tender Buttons and The Future Crayon. The album also includes two songs discovered by James after Trish’s passing: “Come Back To Me” and “Please Call To Book”. These were her response to Broadcast’s 2006 ‘Let’s Write A Song’ project, where fans were asked to submit lyrics on a postcard which would then be worked into a finished song. Distant Call is a closing of the door on Broadcast and will be the last release from the band. Distant Call - Collected Demos 2000-2006 will be released via Warp Records on October 4th.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50486768599271,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/broadcast-distantcall-vinyl.jpg?v=1730935557"},{"product_id":"of-montreal-satanic-panic-in-the-attic-black-vinyl","title":"Of Montreal - Satanic Panic in the Attic (Black Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFeaturing favorites such as \"Disconnect the Dots,\" \"Lysergic Bliss,\" and \"Chrissie Kiss the Corpse,\" of Montreal's breakthrough album Satanic Panic in the Attic marked a slight departure from the band’s previous sound due to influences ranging from 1970's Afro beat to 80's New Wave. To celebrate this beloved record’s 10-year anniversary, Satanic Panic in the Attic has been re-mastered for vinyl and is being pressed on 180-gram Yellow and Light Blue vinyl with a second disc featuring seven additional tracks recorded during the same era. This deluxe double LP reissue comes packaged in a gatefold jacket that restores the interior artwork to its original full-color design.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50493045965031,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/ofmontreal-satnicpanicintheattic-blackvinyl.jpg?v=1731263836"},{"product_id":"mia-arular-black-vinyl","title":"MIA - Arular (Black Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'Arular' is the debut album from Sri Lankan born Maya Arulpragasam aka MIA. The album's mix of clanking beats, analogue stabs, and quirky samples recalls Dizzee Rascal's groundbreaking debut 'Boy In Da Corner' and features guest production from Diplo, Richard X, and Pulp's Steve Mackey. 2020 reissue.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50494763696359,"sku":"","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/MIA-Aruler-Black-Vinyl.jpg?v=1731278269"},{"product_id":"mia-kala-black-vinyl","title":"MIA - Kala (Black Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFor an album that proudly flaunted tin-can production, indecipherable South London slang, and lyrical nods to suicide bombers, it brought the woman who records under the name M.I.A. unexpected mainstream success—she followed its release by touring North America with Gwen Stefani and recording with Missy Elliott and Timbaland, while the single \"Galang\" made its way into a car commercial. Kala (the first release was named after her freedom-fighting father, this one after her mother) throws Arulpragasam's newfound pop credentials into the bustle of Bollywood rhythms, police sirens, 8-bit dancehall beats, Third World car horns, and street singers. Recorded across several continents, it presents a far more dynamic listening experience than her first album, especially with tracks like \"Bamboo Banga,\" \"Jimmy,\" and \"Paper Planes.\" It's no less exhausting, though. What with the New Order sample, Timbaland cameo, and gunshot sound effects, there isn't a moment when it doesn't feel like you've unintentionally invited an entire carnival into your home.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50494763925735,"sku":"","price":29.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/MIA-Kala-Black-Vinyl.jpg?v=1731278287"},{"product_id":"j-dilla-rough-draft-black-vinyl","title":"J Dilla - Rough Draft (Black Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhen Ruff Draft saw its initial release in 2003, J Dilla possessed production skills on par with anyone in hip-hop – technically and creatively. “At the top of his game,” says longtime friend and collaborator, Karriem Riggins. After years of building while modestly deferring to others of both greater and lesser notoriety, Dilla finally completed the first solo endeavor on his own label, entirely on his own terms. The significance of such an autonomous success often gets overlooked, and partly accounts for why Ruff Draft is one of the lesser-referenced entries in Dilla’s oeuvre. “It’s a mysterious little project,” says his mother, Maureen Yancey. “But out of his entire career, that was the happiest time.” Prior to recording the EP, Dilla found himself at a crossroads. Estranged from his label, MCA, and separated from the mother of his youngest daughter, frustration abounded both personally and professionally. Dilla spent parts of 2002 and 2003 working on an album for MCA that featured his rapping over contributions from other producers with whom he had connected and whose music he respected. At the time, he was known primarily for his beats, yet reviled for his MCing by most anyone not from his hometown of Detroit. The project was to be an intentional freak of the industry. The project would go on to spur his collaborative album with Madlib, Jaylib, and would first showcase the template that he would take to his greatest heights with 2006’s Donuts. The Stones Throw reissue of Ruff Draft from 2008 featured remixes of the songs from the album, done without Dilla’s involvement. 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Brown’s lyrics balance earnest storytelling with laugh-out-loud one-liners, especially apparent on \"Dirty Laundry\" as Danny raps about his sexual exploits and reminisces on his rocky path to stardom. Brown’s star turn as an artist and individual are both clearly demonstrated on uknowhatimsayin¿, the next stop on Brown’s journey and one that solidifies his reputation as an innovator and hip-hop’s favourite curiosity. In the truest sense, it is a modern classic that defies genre and reimagines what a hip-hop album can and should be in 2019.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50494848794855,"sku":"","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/DannyBrown-Uknowhatimsayin-Black-Vinyl.jpg?v=1731277665"},{"product_id":"madvillain-madvillainy-black-vinyl","title":"Madvillain - Madvillainy (Black Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith both men known for their stunning soundscapes, rhyming skills, and schizophrenic personalities, the duo decided to have Madlib concentrate on the beats and let Doom handle the lyrics. In mixing their comic-book-like personas, Madlib and Doom play to their nearly superhuman strengths; while some other collaborations of this caliber seems forced and lop-sided, there is absolutely no filler here-just undiluted beats and rhymes, best exemplified by the singles America's Most Blunted and All Caps. Lib's inventive production leans towards the jazzy side of his repertoire, and Doom unleashes outrageous lyrics on par with his solo efforts (and even his work as Zevlove X in his stint with K. M. D. ). 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The double gatefold LP housed in the original cover art comes in a metallic silver pressing with purple accents (record one) and metallic silver with green accents (record two) pressing while the LPs housed in the variant cover by Jason Jagel is available in a gold nugget with red splatter pressing. The cassette editions are also available with the original and variant artwork. The shell included with the original artwork is metallic silver with purple text. The variant artwork features a gold shell with red text. 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One apex point along that journey took place circa 2003\/2004 with DOOM releasing Viktor Vaughn Parts 1 \u0026amp; 2, Madvillainy with Madlib (a legend in his own right), King Geedorah’s Take Me To Your Leader, and MM..Food all in that short and explosive timeframe. While all of those projects have been revered by fans and critics alike, MM..Food is the only album that officially exists as the proper follow-up to Operation: Doomsday. MM..Food finds DOOM digging deep into vocal soundbytes related, as well as fitting to his namesake and artistic vision, meticulously building a cohesive album narrative. Diligence in mind, his writing is as sharp, witty and often shocking as ever. Production-wise, DOOM utilizes a fine blend of familiar and obscure sample sources, complimentarily working together to both satisfy and intrigue. And, while MM..Food is mostly the work of a mad scientist in his secret lair, a sprinkling of super-villain team ups with Count Bass D, Madlib, PNS of The Molemen, Stahhr, and Mr. Fantastik, all add to the album’s overall flavor. 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It’s a shift that rewards the risk, reorienting Khruangbin’s transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that’s always defined it. And it all started with them coming home. By the summer of 2019, the Houston group—bassist Laura Lee Ochoa, guitarist Mark Speer, drummer DJ Johnson—had been on tour for nearly three-and-a-half years, playing to audiences across North and South America, Europe, and southeast Asia behind its acclaimed albums The Universe Smiles Upon You and Con Todo El Mundo. They returned to their farmhouse studio in Burton, Texas, ready to begin work on their third album. But they were also determined to slow down, to take their time and luxuriate in building something together. Musically, the band’s ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night. In those years away from home, Khruangbin’s members often felt like they were swimming underwater, unsure of where they were going, or why they were going there. But Mordechai leads them gently back to the surface, allowing them to take a breath, look around, and find itself again. It is a snapshot taken along a larger journey—a moment all the more beautiful for its impermanence. 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While the five new songs are clearly a continuation of the first EP, they also have an identity all their own - Bridges calls it \"more introspective,\" while Khruangbin bassist Laura Lee says it \"feels more night time.\" When Texas Sun was released, AllMusic called the results \"intoxicating\" and Paste noted that \"their talents and character go together so well.\" Now comes the next stage - a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. Significantly, both parties' musical directions were clearly affected by their time working together. Khruangbin's most recent album, Mordechai, moved their own vocals much further forward, a change they readily admit was a direct result of working with Bridges. Meanwhile, since these recordings began, in addition to his genre-defying album Gold-Digger's Sound, Bridges has put out several other challenging, shared tracks, including work with John Mayer, Lucky Daye, and Jazmine Sullivan. 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Plus a horn section, a cover song... but before you start thinking that this ‘Bajas Fresh’ is some kind of whole-cloth change, recall to your mind that the nature of equilibrium around Bitchin Bajas is such that new properties tend to melt into the surrounding texture, providing vivid sonics without uprooting the mindset. While flowing towards a wholeness, the four sides of Bajas Fresh feature distinct approaches, approaching the ephemeral with subtle tweaks from new angles. Eschewing the grainy expansiveness of the self-titled album, this new one has an almost monolithic approach, whether spitting forth with Harmonia-styled data riffs, finding Denny- esque South Pacific exotica within a classic Sun Ra piece or teasing out almost imperceptible inflections inside the epochal fizz and whir with glassy-eyed, glacial patience. 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Featuring contributions from producers like Evian Christ, Petite Noir (who also lends vocals to the world-weary clang of “Rolling Stone”), Black Milk, the Alchemist and frequent collaborator Paul White, the album is full of laser-beam guitars, gym-teacher whistles, creaking vocal samples, and air-raid drones. It is the most intriguing take on hallucinatory rap since the heady heights of Cold Vein or Madvillainy. Known for his wide range of collaborations, including everyone from Purity Ring, the Avalanches and Rustie to Schoolboy Q, E-40, and Ghostface Killah, Atrocity Exhibition sees a continuation of this carefully curated mix. Kelela lends her snaking vocals to the intriguingly murky “From the Ground,” Cypress Hill’s B-Real delivers “Get Hi”’s languid hook, and Earl Sweatshirt, Kendrick Lamar, and Ab-Soul all convene for the twinkling ominousness of album standout “Really Doe.” “When XXX came out, all of us were peers, and those were the three rappers who were the best,” Brown explains on having the star-packed trio appear on the track. “I felt like we were competitors, they made me want to step my game up. I wanted to put the hottest rappers in the game on there.” This album is a highly personal take on Brown’s ruminations on life and the changes that have occurred -and those that didn't - following the ups and downs of career success. 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Across the twelve-track project, Overmono journey through a powerful distillation of their musical career so far; incorporating “So U Kno” alongside new music that propels them beyond the dancefloor. “Good Lies” remoulds and interweaves captivating vocal cuts into a series of multi-genre electronic sounds that flits effortlessly between euphoria and melancholy in the same 4-bar loop.\u003c\/span\u003e\u003c\/p\u003e","brand":"firetalkrecs","offers":[{"title":"Default Title","offer_id":50495658950887,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0636\/0213\/1175\/files\/overmono-goodlies--black-vinyl.jpg?v=1731355664"},{"product_id":"ela-minus-acts-of-rebellion-black-vinyl","title":"Ela Minus - Acts Of Rebellion (Black Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eColombian musician Ela Minus announces her debut album, Acts of Rebellion, on Domino. 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